November 15, 2013
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Recently, a friend did something that I would never be able to do: she got up on stage and did stand-up comedy for the first time. Not only that, but she did another set only a week later, giving herself no room to retreat if the first didn’t go well.
And of course, she was great. I didn’t see her first performance, but her second was hilarious and unique, standing out from the crowd at its very foundations of tone and performance. Instead of the typical bonding with the audience in a chummy performance that was more about fighting anxiety than anything, my friend used anxiety as a performance, offering awkward silences, tentative readings and scrambling through note cards to double the effectiveness of the jokes. A risky idea that could backfire in a show aimed at showcasing newcomers – and yet it was a roaring success.
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